zombienormal:

Happy End, Friedrich Heubner, Jugend magazine, 1931.
Via.

zombienormal:

Happy End, Friedrich Heubner, Jugend magazine, 1931.

Via.

cheaplies:

Man Ray - Lee Miller And Friend, 1930

cheaplies:

Man Ray - Lee Miller And Friend, 1930

weirdvintage:

Mack Sennett girls posed in costumes and tires, c, 1920-1932 (via Library of Congress)

weirdvintage:

Mack Sennett girls posed in costumes and tires, c, 1920-1932 (via Library of Congress)

lauramcphee:

Child and her mother, Yakima Valley, Washington, 1939 (Dorothea Lange) 

lauramcphee:

Child and her mother, Yakima Valley, Washington, 1939 (Dorothea Lange) 

steroge:

Migrant agricultural worker’s family (‘Migrant Mother’), Nipomo, California 1936 by Dorothea Lange

steroge:

Migrant agricultural worker’s family (‘Migrant Mother’), Nipomo, California 1936 by Dorothea Lange

maudelynn:

Gorgeous Ziegfeld Follies Sheet Music for the Song “Was I?”
artwork by Alberto Vargas c.1931

maudelynn:

Gorgeous Ziegfeld Follies Sheet Music for the Song “Was I?”

artwork by Alberto Vargas c.1931

the-asphalt-jungle:

Happy Birthday, Marian Marsh  (October 17th, 1913 - November 9th, 2006)
“She (Jean, Marian’s Sister) was determined that I should crash the studio gates, and with that end in view, spent weeks haunting casting offices, telling them all about ‘little sister,’ even forgetting her own career. I finally did get a chance to make a test at Pathe. We waited for six hours before I received any attention. My makeup had to be done over and my hair dressed. When the big moment arrived, I was so tired, I really didn’t care whether I stepped before the camera or not. The director, supervising the test, told me to cry-it was exactly what I wanted to do. I cried all over the place, and he thought it was great acting. I got the contract.”

the-asphalt-jungle:

Happy Birthday, Marian Marsh  (October 17th, 1913 - November 9th, 2006)

“She (Jean, Marian’s Sister) was determined that I should crash the studio gates, and with that end in view, spent weeks haunting casting offices, telling them all about ‘little sister,’ even forgetting her own career. I finally did get a chance to make a test at Pathe. We waited for six hours before I received any attention. My makeup had to be done over and my hair dressed. When the big moment arrived, I was so tired, I really didn’t care whether I stepped before the camera or not. The director, supervising the test, told me to cry-it was exactly what I wanted to do. I cried all over the place, and he thought it was great acting. I got the contract.”